{"id":3355,"date":"2021-10-15T08:57:23","date_gmt":"2021-10-15T08:57:23","guid":{"rendered":"https:\/\/spnkd.com\/?p=3355"},"modified":"2021-10-15T08:57:24","modified_gmt":"2021-10-15T08:57:24","slug":"is-submission-an-excuse-to-be-lazy-in-bed","status":"publish","type":"post","link":"https:\/\/spnkd.com\/de\/is-submission-an-excuse-to-be-lazy-in-bed\/","title":{"rendered":"Is Submission an Excuse to Be Lazy in\u00a0Bed?"},"content":{"rendered":"\n
\n\n\n\n

The top or dominant calls the shots and leads their bottom or submissive through a scene. But what the heck does the submissive do?<\/p>\n\n\n\n

Do they just lie there? Do they simply take it? Do they blindly follow orders with no agency of their own? Is submission just an excuse for being lazy and complacent in bed?<\/strong><\/p>\n\n\n\n

If you\u2019ve never been part of a D\/s dynamic yourself, you might be thinking along those lines. Sure, the dominant is likely to do the more obvious<\/em> pushing and shoving, but if you believe submission to be a passive act, you\u2019ll have to think again.<\/p>\n\n\n\n

Circlusion and penetration<\/h2>\n\n\n\n

Akin to how penetration is viewed as active <\/em>while receiving it is inaccurately seen as passive,<\/em> domination and submission suffers from the same imputation.<\/p>\n\n\n\n

In my recent article about circlusion<\/a>, I discuss this wonderful term proposed by writer Bini Adamczak as an antonym to penetration and argue that absorption; taking in<\/em> a penis (or a dildo) is, in fact, both powerful and empowering:<\/p>\n\n\n\n

Making and holding space, receiving, and accommodating may not appear active<\/em> from the look of them, especially not if we use synonyms like pushing, forceful, or energetic. But, if we look at other equivalents to the word active<\/em>, such as purposeful, engaged, rolling, or flowing, they do much better jobs of describing the concept of circlusion.

Apathetic, indifferent, or static, on the contrary, which are synonyms for \u2018passive\u2019, are not fit to describe the act.<\/p><\/blockquote>\n\n\n\n

The last words mentioned are not suited to describe submission either. Instead, the role should be engaged, purposeful, and flowing; much like a dance.<\/p>\n\n\n\n

\n\n\n\n

The interplay of dominance and submission is, in fact, often described as such; a dance. According to this metaphor\u2014one I relate to\u2014one partner takes a more noticeable lead.<\/em> Still, <\/em>it requires two active participants for a dance to flow smoothly; both must remain closely connected and tuned in to one another. The one being led<\/em> reads their partner in order to anticipate the next maneuver and move their body accordingly. Their moves and reactions will again inform the leader.<\/em>On the contrary, if they were to simply stand there like a lifeless puppet, there\u2019d be no dance, to begin with.<\/p>\n\n\n\n

We can also compare a D\/s dynamic to a conversation: Without the back-and-forth exchange, we\u2019re left with a monologue.<\/p>\n\n\n\n

\n\n\n\n

Before playing<\/h2>\n\n\n\n

Work, and sometimes lots of it, goes into a scene before it even begins. Negotiating limits, setting expectations, and voicing our wishes is vital to a successful outcome, especially at the beginning of a play-partnership.<\/p>\n\n\n\n

Prenegotiaton and preparation<\/h3>\n\n\n\n

It\u2019s a huge red flag if a submissive or masochist claims to have zero boundaries as these are essential to giving the top an idea of the area in which they\u2019re allowed to play\u2014as well as how far they may push. A lack of boundaries can be a sign of apathy, or that someone isn\u2019t mentally fit to play at all.<\/p>\n\n\n\n

While the top will most often plan out the practical parts of a scene, the bottom gets ready both mentally and physically, depending on what they\u2019ve agreed to explore.<\/p>\n\n\n\n

The submissive holds the power!<\/h3>\n\n\n\n

There\u2019s a reason why this truism is repeated, over and over, again in articles about BDSM. Though the submissive might relinquish control for an agreed-upon time, they have the power to stop the action, whenever they wish, with the use of a single word.<\/p>\n\n\n\n

Engaging in D\/s play without prenegotiation and established safewords can be downright dangerous<\/strong>: On the contrary, it\u2019s this mutual trust and freely given consent that distinguishes BDSM from abuse in the first place. Thus, the requirement for safety is another case for the importance of the bottom as an active participant throughout.<\/p>\n\n\n\n

\"Woman<\/figure>\n\n\n\n
\n\n\n\n

During a scene<\/h2>\n\n\n\n

Beyond merely allowing or stopping a scene at their will, the submissive does a lot more; they set the pace, trigger, challenge, and instigate reactions during a scene.<\/p>\n\n\n\n

Styles of submission<\/h3>\n\n\n\n

Depending on their style<\/em> of submission, some are on the bratty <\/em>side, teasing, poking, and prodding their doms in order to provoke reactions, while others thrive on being obedient pets<\/em> or even slaves<\/em>. There are the strong, proud subs<\/em> who might be confrontational and challenging, the playful, smart-ass masochists <\/em>who may say no<\/em> when they mean yes <\/em>(another thing that must<\/strong> be talked about beforehand), and the sweet littles<\/em>\u200a\u2014\u200aall of whom come with their own unique communication styles, and much like a new dance partner have to be learned.<\/p>\n\n\n\n

Feedback increases flow<\/h3>\n\n\n\n

As someone relatively new to shibari and being a rope-bottom, I\u2019ve learned the significance of my active engagement in this environment, even, and especially when I\u2019m unable to move at all. The more I communicate back about how I feel, whether my hands are tingling and starting to go numb, or the rope is pinching the skin, the more chance my rigger has to make the necessary adjustments that allow the scene to flow smoothly\u200a\u2014\u200aand the more fun is had for all.<\/p>\n\n\n\n

Use of body language<\/h3>\n\n\n\n

Clear communication needn\u2019t be verbal and can take place without using words whatsoever. When submitting, we also speak with our bodies, via movements, facial expressions, moans, cries, laughter, and whichever sounds and gestures are in our vocabularies. We welcome the top in, open up, hold space, and embrace, all of which are active and require intent and presence\u2014regardless of their lack of overt action. Our enthusiasm as bottoms, even when completely still, or when entering a meditative state or subspace, can and should be felt by the dominant partner.<\/p>\n\n\n\n

This kind of nonverbal communication requires a high level of empathy, from both parts, but especially from the top.<\/p>\n\n\n\n

\n\n\n\n

Post-play<\/h2>\n\n\n\n

Mutual involvement and interaction continue immediately after a scene is over and in the days following.<\/p>\n\n\n\n

Aftercare<\/h3>\n\n\n\n

The submissive might require more tender aftercare, especially after a physically and\/or mentally demanding session, but this is also a two-way street. Both the top and bottom could experience a drop after the hormone and chemical high that arise from play, and even the toughest dominant might need a head-rub, a warm bath, or an extra squeeze to come down and land comfortably.<\/p>\n\n\n\n

Feedback and integration<\/h3>\n\n\n\n

One of the favorite things I\u2019ve learned from the BDSM community is to talk a lot about sex and everything that goes into it, not only before, but during and after<\/em> a session. Never before entering the kink-scene did I sit down post-sex to discuss how it went, beyond \u201cthat was great!\u201d. Whereas in the BDSM world (and other sex-positive circles) there seems to be an overall yearning to continuously learn, improve, and reach further, for the benefit of all parties involved.<\/p>\n\n\n\n

Also here, there\u2019s a need for a dialogue where both share and contribute equally, followed by taking in the feedback and integrating it into future play sessions.<\/p>\n\n\n\n

\n\n\n\n

To conclude; while I\u2019ve seen and read articles suggesting submission is the lazy way out,<\/em> I don\u2019t believe that it is, or should be, this way. Instead, a D\/s dynamic is one where, if compared to a work environment, the two simply have different job descriptions<\/em>: Their roles are equally important yet dependent upon the other.<\/p>\n\n\n\n

If, again, compared to a conversation, the two parts may speak in different tones, yet their contributions to the conversation are equally valuable. When we dance, our steps and moves are not identical, yet interdependent.<\/p>\n\n\n\n

There\u2019s a reason why the sadist doesn\u2019t simply get off on beating away at a sack of potatoes. The masochist, on the other hand, wouldn’t derive the same pleasure from getting spanked by a machine or robot. The active human participation\u2014the acting and reacting\u2014is what makes it interesting.<\/p>\n\n\n\n

A mutual and fulfilling D\/s dynamic requires a constant push and pull. It\u2019s this tension which creates friction\u200a\u2014\u200awhich again sparks the flame to lights the fire. And, as everyone who has<\/em> experienced a mutually gainful D\/s dynamic will know; the fire was what we came for in the first place.<\/p>\n\n\n\n

Sincerely,<\/p>

Ena Dahl | Writer for SPNKD<\/p>Multidimensional creatrix & muse
seeking to unite sexuality & spirituality,
instigate alchemical healing & ignite the wild (wo)man <\/strong>
enadahl.com<\/a><\/cite><\/blockquote><\/figure>\n","protected":false},"excerpt":{"rendered":"

The top or dominant calls the shots and leads their bottom or submissive through a scene. But what the heck does the submissive do? Do they just lie there? Do they simply take it? 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But what the heck does the submissive do? Do they just lie there? Do they simply take it? 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